After reading this review it should be obvious what my feelings are towards the Aaron No. 3 Millennium Power Amplifier.

This is not a product for audiophiles only but rather for anyone who loves good music. It transformed my CD/Vinyl collection into one where I wanted to stay up all night listening to them all over again as if again for the very first time.

If called upon to use only one word to describe my feeling for the Aaron it would have to be "Bravo". This is one of those amplifiers that you buy and hold onto for a very long time while you just sit back and "Enjoy the Music".

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Lots of audiophiles believe sound quality is all in the speakers. I even would have bought into this, or at least said the speakers were the primary driver for a system’s sound quality. The Lindemann turned that assumption on its head for me a little bit. With the 882 replacing my normal separate preamp and power amps, not only did the sound quality improve, it sounded like I had a whole new (and much better) system. I know this is an audio cliché, but I’m sorry. This time it was true. The 882’s improved performance found its way into every part of the music. In fact, that was the most impressive part of the 882: its coherence.

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The fact is that for any "audio checklist" factor I can think of — quietness, dynamics, tonal accuracy, frequency extension at both ends of the spectrum, spatial presentation, focus, and above all the ability to draw me deeply inside the music — The Tube Mk. 2 is simply the finest audio instrument I have reviewed. Let's consider a few examples.

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If you are looking for one of the best conditioners available, and you absolutely love everything about your system, including the power cords, and don’t want to change a thing about tonality and presentation, but are just seeking to reduce noise levels and be able to hear details masked by the low-level noise, look no further. I don’t think I’ve encountered a more neutral audio product in my life. The Weizhi focuses exclusively on taking noise to lowest level possible. The resulting detail is phenomenal.

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Compared to the other transistor phono stages I’ve used the last few years, the little Einstein seems to be the most accurate (the white-lab-coat textbook meaning of accuracy). In terms of low levels of distortion, flat frequency response and transparency, the Einstein compares favorably

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The PRS-6 is a passive power conditioner, albeit a luxuriously outfitted one. It is deceptively plain and ordinary looking and gives no clue of what's to come. Listen to it and take its measure. Bask in its natural and effortless presentation. Then you'll want to go back and take its parts inventory, to see how it accomplishes what it does.

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The Gold Glory isolation footers neutralize chassis limitations, allowing you to truly hear the quality of your components circuits. They do this better than any isolators I've come across.

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The Sindre's sound is extremely exact, precise, noble and very real. The Sindre’s top end is very fast on immediate strikes but also more saturated than other turntables. This includes greater saturation in all the lower bands. However, it remains absolutely clear. The Sindre's placement of instruments on the stage in space is just perfect. You couldn't wish for more. The Bergmann turntable's build is of extreme quality, with a beautiful design and great overall concept.

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